FIELD RECORDING

For the past 15 years I have slowly developed my own approach to sound recording and field recording.

It centers on extended immersion in a place and its social environment, patience, deep listening, a lot of trial & error and meticulous attention to detail.

Using a variety of state-of-the-art (and sometimes obscure) recording tools, I aim to make the intangible heard and felt.

Over the years my recordings have found their way into my own compositions, scores for contemporary dance, Netflix productions, blockbuster film trailers, documentaries, installations, art films & commercial sound libraries.

I have given workshops about sound & field recording at the Universität der Künste (Berlin), Liszt Academy (Hungary), Nyege Nyege Studios (Kampala) and KHM (Köln).